Die Ölgemälde alles Eugene Fromentin
Choice ID Image  Painting (From A to Z)       Details 
40066 A Street in El-Aghouat  A Street in El-Aghouat   mk155 c.1859 Oil on canvas 142x103cm
40065 Algerian Town  Algerian Town   mk155 1853 Oil on canvas Transferred to board 17.8x26cm
40058 Arab Falconer  Arab Falconer   mk155 1863 Oil on canvas 108x73cm
51840 Arab Horsemen in a Gorge  Arab Horsemen in a Gorge   mk221 1873 Oil on canvas 85.1x62.9cm
40067 Arab Horsemen Resting  Arab Horsemen Resting   mk155 1868 Oil on canvas 54.5x64.5cm
40070 Arab Horsemen Resting  Arab Horsemen Resting   mk155 1868 Oil on canvas 54.5x64.5cm
1287 Desert Scene  Desert Scene   1868
11283 Egyptian Women on the Edge of the Nile  Egyptian Women on the Edge of the Nile   1876 3' 11 1/4'' x 3' 5 1/4''(120 x 105cm) Bequest of Mrs.Aristide Boucicaut,1888
20800 Eqyptian Women on the Edge of the Nile (san12)  Eqyptian Women on the Edge of the Nile (san12)   1876 3' 11 1/4"x3' 5 1/4"(120x105cm) Bequest of Mrs.Aristide Boucicaut, 1888
11292 Falcon Hunting in Algeria;The Quarry  Falcon Hunting in Algeria;The Quarry   1862(Salon of 1863) 5' 4'' x 3' 10 1/2''(162.5 x 118cm)
25102 Femmes egyptiennes au bord du Nil (mk32)  Femmes egyptiennes au bord du Nil (mk32)   huile sur toile signee et datee 1876 120 x 105 cm Musee d'Orsay Paris
40068 Hawking in Algeria  Hawking in Algeria   mk155 1863 Oil on canvas 162.5x117.8cm
80708 Hunting heron, Algeria  Hunting heron, Algeria   1865. 2011-07-03 for photograph. Medium Oil on canvas Dimensions 99 H, 142 L. cyf
20820 Moorish Burial (san25)  Moorish Burial (san25)   1' 1"x1' 10"(32.5x56cm) Gife of Etienne Moreau-Nelation 1907
11285 Morish Burial  Morish Burial   1853(Salon of 1853) 1' 1'' x 1' 10''(32.5 x 56cm) Gift of Etienne Moreau-Nelation,1907
40060 Moroccan Burial  Moroccan Burial   mk155 1853 Oil on canvas 32.5x56cm
81285 Moroccan Horsemen at the Foot of the Chiffra Cliffs  Moroccan Horsemen at the Foot of the Chiffra Cliffs   Date 19th century Medium Oil on canvas Dimensions 99 x 73.5 cm (39 x 28.9 in) cjr
85345 Moroccan Horsemen at the Foot of the Chiffra Cliffs  Moroccan Horsemen at the Foot of the Chiffra Cliffs   19th century Medium Oil on canvas Dimensions 99 x 73.5 cm (39 x 28.9 in) cyf
40061 On the Nile,Near Philae  On the Nile,Near Philae   mk155 1871 Oil on canvas 63.8x110.6cm
51841 The Caravan  The Caravan   mk221 1875 Oil on board 33x40.6cm
11219 The Land of Thirst  The Land of Thirst   ca 1869 3' 4 1/2'' x 4' 8 1/4''(103 x 143 cm) Bequest of Edouard Martell,1920
40064 The Land of Thirst  The Land of Thirst   mk155 1869 Oil on canvas 103x143.2cm
61831 The Land of Thirst  The Land of Thirst   ca. 1869. Oil on canvas. 40.5 x 55.75 in. ( 103 x 143 cm). Musee D'Orsay, Paris, France. ©Reunion des Musees Nationaux / Art Resource, NY.
20809 The land of Thirst (san15)  The land of Thirst (san15)   3' 4 1/2"x4' 8 1/4"(103x143cm) Bequest of Edouard Martell
40063 The Nile  The Nile   mk155 1876 Oil on canvas 102x143cm
89236 The Reapers  The Reapers   c. 1851(1851) Medium oil on cradled panel Dimensions 31.4 x 50.6 cm (12.4 x 19.9 in) cjr
40059 The Tribal Tents  The Tribal Tents   mk155 1850 Oil on canvas 44.3x85.2cm
40062 View of the Nile  View of the Nile   mk155 c.1870 Oil on wood 32.5x41cm
Eugene Fromentin
1820-1876 He was born in La Rochelle. After leaving school he studied for some years under Louis Cabat, the landscape painter. Fromentin was one of the earliest pictorial interpreters of Algeria, having been able, while quite young, to visit the land and people that suggested the subjects of most of his works, and to store his memory as well as his portfolio with the picturesque and characteristic details of North African life. In 1849 he obtained a medal of the second class. In 1852 he paid a second visit to Algeria, accompanying an archaeological mission, and then completed that minute study of the scenery of the country and of the habits of its people which enabled him to give to his after-work the realistic accuracy that comes from intimate knowledge. In a certain sense his works are contributions to ethnological science as much as they are works of art.



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